■ Neue Nachbar*innen



Details

Linocuts, 2021
Hahnemühle Paper,
200 gsm,
A3 (42 x 29,7 cm)
Edition of 50

150 EUR

Purchase

This series of twelve linocuts was created in 2021 in the context of the exhibition Neue Nachbarinnen* at the Architecture Museum of TUM, presented at the Pinakothek der Moderne in Munich.

The works reinterpret selected architectural projects from the exhibition through an independent graphic language. The series was developed as a visual communication tool and appeared in publications, brochures and the digital campaign surrounding the exhibition.

Rather than presenting architecture as a static object, the series approaches it as a cultural narrative. Through the reduction to line, surface and contrast, the buildings become suspended between documentation and interpretation.

The works were created during the artist’s collaboration with the Architecture Museum of TUM in close exchange with curator Barbara Wolf and the museum team.

1. Wohnanlage Heidemannstraße

The housing complex on Heidemannstraße, designed by Gottfried and Anton Hansjakob together with Peter Petzold, represents an urban vision where architecture and landscape are closely intertwined.

The linocut condenses this spatial logic into a composition shaped by flowing building forms and generous open spaces. The identity of the place emerges less from the buildings themselves than from the spaces in between.

2. Wettbewerb Marienhof

Adelheid Schönborn’s proposal for Marienhof understands the urban void as a consciously designed landscape.

The graphic interpretation translates this idea into a composition of axes, vegetation fields and open zones balancing structure with openness.

3. Neue Anatomische Anstalt

With the Neue Anatomie, Max Littmann developed an early functional building type in which construction and use were carefully aligned.

The linocut focuses on the central dome and axial organization, reducing the building to the clarity of its underlying system.

4. Verwaltungsgebäude Süddeutscher Verlag

The administrative building of the Süddeutscher Verlag, designed by Herbert Groethuysen, Detlef Schreiber and Gernot Sachsse, is considered an icon of postwar modernism.

The linocut transforms the strict grid of the façade into a rhythmic play of contrast emphasizing the building’s urban presence.

5. Dantebad Wohnanlage

The housing complex at Dantebad by Florian Nagler Architekten demonstrates how architecture can respond quickly and precisely to social challenges.

The graphic interpretation emphasizes the modular quality of the project where repetition and variation become the central visual elements.

6. NS-Dokumentationszentrum München

The NS Documentation Center in Munich by Georg Scheel Wetzel Architekten creates a deliberate architectural contrast to its historical surroundings.

The linocut reinforces this position through strict geometry and reduced means presenting architecture as a space for memory and reflection.

7. Archäologische Staatssammlung

The Archaeological State Collection, originally designed by Helmut von Werz and Partner and later expanded by Nieto Sobejano Arquitectos, is defined by its fragmented volumes and distinctive materiality.

The linocut translates this structure into a rhythmic sequence of surfaces and volumes.

8. Empfangshalle Hauptbahnhof München

The reception hall of Munich Central Station by Dieter Schaich and Ekkehard Fahr was conceived as a staged space of movement.

The linocut condenses this dynamic into a composition of diagonals, light surfaces and structural lines.

9. Wienandsbau mit Audimax (TUM)

The Wienandsbau at TUM by Rudolf Wienands and Partners attempts to create a new spatial center within the campus.

The graphic interpretation reduces the project to its essential idea: architecture as a place of encounter.

10. Studierendenwohnanlage Olympiadorf

The redevelopment of the Olympic Village by Werner Wirsing in collaboration with bogevischs buero combines preservation with urban densification.

The linocut transforms the repetition of individual units into a precise rhythmic pattern.

11. Schule in Gando

Francis Kéré’s school in Gando represents an architecture shaped by local materials and climatic conditions.

The linocut translates this approach into a calm and restrained structure where construction and shadow become central elements.

12. Islamisches Forum Penzberg

The Islamic Forum in Penzberg by Alen Jasarevic combines religious function with a contemporary architectural language.

The graphic interpretation emphasizes transparency and balance presenting architecture as an open and dialogical space.